9/25/2023 0 Comments Garageband midi guitarEven though I typically like higher audio specs when using my guitar the sound is remarkably transparent and I had no issues with quality. The ¼ inch jack is actually a high impedance (hi-Z) input preamp with a 16 bit/44.1 or 48k conversion rate. It’s impossible for me to image a smaller device but how does it sound? Since the i2M acts as an audio interface and an audio midi converter – I’ll address this question in two parts. It’s bus powered by the USB – so there’s no additional power supply (the green lit SONUUS logo is a nice design touch as well as the key clip. The unit has a ¼ inch jack on one side and a USB connection on the other which makes it about the size of an adult thumb. Listing for $199 (and selling for $149) this is one of the most intriguing products on the market to me right now. Their newest converter the i2M musicport, is a small (read: tiny) monophonic midi converter and a 16bit 48k digital audio interface. If you’ve picked up a guitar magazine or been anywhere guitar related on the internet – you have undoubtably seen an ad for one of the Sonuus Midi Converters. The pickups and converters meant that I was looking at $500-$600 minimum for something that really wasn’t necessary. A really good idea and one that stuck with me.īut midi always struck me as a lark. By doing this – he would have a rough transcription of what he was playing and then be able to tweak it to make it more accurate from there. After seeing clips of John McLaughlin’s instructional dvd and realizing that he was simply using a midi guitar to capture audio and midi data in Logic. The real interest for this idea though came up with the dvd instructional material that I wanted to generate. To me, this is much more in the spirit of improvising that playing the same 40 licks I’ve worked out over Stella by Starlight.Īdditionally, the glitch effect can work really well in sound scape ideas where I might be generating different sounds over (and within) a loop. This excited me from an improvisational standpoint because it meant that I could have other notes spit out at me that I didn’t play – and that I’d have to actually improvise with what was happening there. Even optimizing everything (picking technique, muting, pick choice, tracking parameters, etc) – there was still a lot that could go “wrong”. The first thought that occurred to me was midi guitar is a glitchy proposition to begin with. Midi conversion as an improvisation tool: Not in the traditional sense of, “wouldn’t it be great to get some flute sounds out of my guitar for this smooth jazz solo?” but using it in (potentially) some more subversive ways. Lately, I’ve been thinking more about Midi guitar. ![]() ![]() I haven’t done a gear review in a while – so I thought I’d bring something exciting to the table this time.
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